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Feature
Story
Avenue Q
When Puppets Populate
By Mona de Crinis
Tim Kornblum was weaned on Sesame Street, the
innovative children’s
TV show on PBS that spawned Kermit, Cookie Monster, Miss Piggy and more.
So there’s some delicious irony in his now appearing as an adult
in a play that is, in a sense, an homage to Sesame Street and the much-loved
puppets that captured the hearts and minds of a generation.
Avenue Q is an award-winning Broadway musical largely inspired by those
children shows in which humans and puppets co-exist, helping each other
navigate life’s lessons. In Avenue Q, however, the lessons take
on decidedly adult proportions—sort of a Sesame Street on Viagra.
Avenue Q, which comes to the McCallum Theatre stage for five performances,
March 5-7, is a story about real life in New York City as told by a cast
of people and puppets. Princeton is a bright-eyed college grad who moves
to the city with big dreams and a tiny bank account. The only apartment
he can afford is way out on Avenue Q, where everyone’s looking
for the same things he is: a decent job, a stable relationship, and a “purpose.” Eventually,
Princeton learns to embrace the ups and downs of city life and realizes
that “the real world” isn’t so bad after all.
The play’s message, says Kornblum, is that “life is gonna
suck and it’s gonna throw you a lot of curve balls, but as long
as you don’t forget who you are, you’re still gonna come
out of it on top.”
Kornblum plays Brian, one of the few ‘people’ among the puppets. “Brian’s
one of the few human characters on the block. He is a failed stand-up
comedian. He’s currently unemployed, trying to find his place in
life. Basically I like to look at him as a seven-year-old,” he
explains during a recent interview with The BottomLine.
The purpose of ‘people’ in the show, as Kornblum sees it,
is to provide some degree of realism. Referring to shows like Sesame
Street, The Muppet Show, and Fraggle Rock, Kornblum says the human characters
kept the shows grounded.
In the case of Avenue Q, Brian is probably the most normal, or most grounded
human character in the show, says Kornblum. “The other humans are
Gary Coleman and Christmas Eve, a stereotypical Japanese woman. They’re
there so that at the most minimal, the audience can relate to the fact
that there are actual humans there, and it also helps to bring everything
home with regard to accepting everyone as they are.”
With a score that features irreverent numbers such as “It Sucks
to Be Me,” “I’m Not Wearing Underwear Today,” “The
Internet is for Porn” and “What Do You Do with a BA in English?,” it’s
no wonder Avenue Q has enjoyed so much staying power. It’s funny
as hell.
“We’ve gotten really great compliments pretty much everywhere we’ve
gone,” says Kornblum. “But there’ve definitely been a few
places where it’s been a rough crowd, particularly in the more conservative
areas.”
It’s also a show with tendencies—homosexual tendencies. Bert
and Ernie tendencies. And songs like “If You Were Gay.” Just
one more reason why it stands to be well-received when it hits the desert
next month.
“There’s Ron, who’s a gay character—but throughout
the entire show there are a lot of characters who have to be accepted for something
that’s slightly different about them and I think that’s a huge
aspect,” says Kornblum about the show’s popularity within the gay
community. “And the fact that it’s musical theater,” he adds
with a laugh, “is a big aspect. But the whole show is based on this idea
of love and trust and respect for everybody, so I think it appeals to a gay
audience just as much as it would to any audience.”
If You Go— Avenue Q at the McCallum Theatre,
Friday, March 5 at 8 pm, Saturday, March 6 at 2 pm and 8 pm, and Sunday,
March 7 at 2 pm and 7 pm. Tickets are $85/65/55/45, and are available
by calling the McCallum Theatre Box Office at 760.340.ARTS or online
at mccallumtheatre.com. McCallum Theatre, located at 73000 Fred Waring
Drive, Palm Desert.
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